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Overcoming Fear

Joseph Gibby • June 26, 2024

Tips for Tackling New Skills in Gymnastics

Two women are doing a handstand in a gym.

Gymnastics is a sport that combines strength, agility, and grace. However, it also requires a significant amount of courage. Whether you're a young gymnast just starting or an Olympic athlete like Simone Biles, fear is a common challenge in gymnastics. This blog will explore the development of fear in gymnastics, and strategies coaches and parents can use to help athletes overcome these fears.


Fear in Gymnastics: A Common Experience


Fear in gymnastics can stem from various sources, such as the fear of falling, getting hurt, or not performing well. It's essential to understand that fear is a natural response to perceived danger and can affect athletes at all levels.


Simone Biles: An Olympic Example


Even the most decorated gymnasts, like Simone Biles, encounter fear. In the Tokyo 2020 Olympics, Biles faced a phenomenon known as the "twisties," a mental block that disrupts a gymnast's spatial awareness. Her experience highlights that fear and mental blocks are not just for beginners but can affect athletes at any level.


The Development of Fear at Different Age Levels


Young Gymnasts (Ages 5-10)


At this age, fear often comes from the unfamiliarity of new skills and the physical sensations of gymnastics. For example, a child may fear performing a backbend because they are not used to the sensation of being upside down.


Preteens and Teens (Ages 11-15)


As gymnasts grow older and their skills become more complex, fears can become more pronounced. Preteens and teens may fear injury from performing difficult moves or fear failure and disappointing their coaches or parents.


Older Teens and Adults (16+)


For older athletes, fear can become more sophisticated, often linked to high-stakes competitions and the pressure to perform. They may also experience mental blocks where their bodies know how to perform a skill, but their minds prevent them from executing it correctly.



Rational vs. Irrational Fears


Rational Fears: These are fears based on real risks, such as the possibility of falling or getting injured. It's normal for gymnasts to have these fears as they push their limits.



Irrational Fears: These fears are disproportionate to the actual risk involved. For instance, a gymnast may have a strong fear of performing a skill they have mastered countless times without issue.


Strategies for Overcoming Fear


Visualization and Mental Rehearsal


Visualization involves athletes imagining themselves successfully performing a skill. This technique helps build confidence and reduce anxiety by mentally rehearsing the desired outcome.


Gradual Exposure


Gradual exposure is a method where gymnasts slowly and progressively face their fears. For instance, if a gymnast is afraid of performing a backflip, they might start with simpler skills and gradually work up to the backflip with the help of spotters.


Positive Reinforcement


Encouragement and positive reinforcement from coaches and parents can significantly help gymnasts overcome their fears. Celebrating small successes builds confidence and reduces fear over time; along with removing any sense of timeline or deadline to achieve a certain skill or level. Patience and expressing patience is essential to reducing stress. 


Creating a Safe Environment


Coaches play a crucial role in creating a safe and supportive training environment. They use mats, spotters, and progressive drills to ensure that gymnasts feel secure while learning new skills.


Addressing Mental Blocks


Mental blocks are common in gymnastics. Coaches and sports psychologists work together to address these blocks through techniques such as:


Breaking Down Skills: Simplifying a skill into smaller, manageable parts.


Changing Focus: Redirecting the gymnast's focus from fear to the technical aspects of the skill.


Relaxation Techniques: Using breathing exercises and relaxation techniques to reduce anxiety.



Fear is a natural part of gymnastics, but it doesn't have to be a barrier. Understanding the sources of fear and employing strategies to manage it can help gymnasts of all levels overcome their fears and achieve their goals. With the support of coaches, and parents, gymnasts can build the confidence they need to tackle new skills and excel in their sport.


Stay tuned for more insights into the fascinating world of gymnastics in our upcoming blog posts!

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Height Settings The height of each bar can also be adjusted, though there are standard heights used in competition: Low Bar: Typically set around 170 cm (5'7"). High Bar: Typically set around 250 cm (8'2"). The height can be slightly adjusted based on the gymnast's size and the routine requirements. Common Vernacular Release Move: A skill where the gymnast releases the bar and catches it again or transitions to the other bar. Transition: Moving from one bar to the other. Swing Elements: Moves that involve swinging around the bar, such as giants or cast handstands. Equipment and Innovations Manufacturers Several manufacturers produce uneven bars, each with slight variations in design and feel: AAI (American Athletic, Inc.) : Known for their sturdy and reliable equipment. Spieth: Favored in international competitions for their flexibility and bounce. Janssen-Fritsen: Popular in Europe, offering a unique feel and quality. 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Elisabeth Tweddle (Tweddle) Elisabeth Tweddle is known for her complex transitions and release moves. The "Tweddle" involves a full-twisting release move from the low bar to the high bar. 5. Gabby Douglas (Douglas) Gabby Douglas's innovative bar routines include the "Douglas," a transition with a full-twisting release move, showcasing her fluidity and dynamism. 6. Simone Biles (Biles) Simone Biles has a release move named after her, the "Biles," which involves a double-twisting double backflip dismount from the high bar. 7. Nastia Liukin (Liukin) Nastia Liukin's "Liukin" is a release move where she performs a layout somersault from the high bar to re-catch the same bar, demonstrating her elegance and precision. 8. He Kexin (He) He Kexin is known for the "He" skill, a release move involving a full-twisting Gienger from the high bar, which showcases her technical prowess. 9. Beth Tweddle (Tweddle) Beth Tweddle's "Tweddle" involves a full-twisting Shaposhnikova, a complex transition move between the bars that highlights her creativity and strength. 10. Viktoria Komova (Komova) Viktoria Komova's "Komova" is a transition move involving a half-turn release from the low bar to the high bar, showcasing her elegance and technical skill. Common Release and Transition Skills Here are 20 common release and transition skills, along with explanations in everyday language: 1. Tkachev (Reverse Hecht): The gymnast swings backward and releases the bar, performing a backward salto (flip) before re-catching the same bar. 2. Jaeger (Front Flip): From a front giant swing, the gymnast releases the bar and performs a front salto before re-catching the bar. 3. Gienger (Back Flip with Half Twist): The gymnast swings backward, releases the bar, does a backflip with a half twist, and catches the bar. 4. Pak Salto: The gymnast swings from the high bar, releases, performs a backward salto, and catches the low bar. 5. Shaposhnikova (Shaposh): The gymnast swings from the low bar, releases, does a half turn in the air, and catches the high bar. 6. Stalder: The gymnast performs a straddle circle around the bar, releasing momentarily before re-gripping. 7. Endo: Similar to the Stalder but done in a pike position. 8. Pirouette: A half or full turn on one hand while swinging around the bar. 9. Hindorff: The gymnast performs a straddle backflip from the high bar and catches the same bar. 10. Ray: A release move involving a straddle backflip from the high bar and catching the same bar, named after Elise Ray. 11. Church: Similar to the Ray, but with a layout position during the backflip. 12. Maloney: The gymnast swings from the low bar, releases, and does a half turn to catch the high bar, named after Kristen Maloney. 13. Ricna: A release move involving a straddle backflip from the high bar to catch the same bar. 14. Higgins Roll: A half turn while swinging forward, transitioning from the low bar to the high bar. 15. Markelov: The gymnast performs a front flip with a half twist from the high bar to catch the same bar. 16. Weiler Kip: A complex skill where the gymnast performs a backward swing and a kip (a swing through and up to handstand). 17. Yezhova: A transition involving a straddle backflip from the high bar to the low bar. 18. Bail: A transition where the gymnast swings from the high bar, releases, performs a half twist, and catches the low bar. 19. Hop Full: A full twist while in handstand position on the high bar before catching the same bar. 20. Clear Hip Circle: A complete circle around the bar in a clear (open) position without touching the bar with the body. Choosing Bar Settings Athlete and Coach Preferences Different athletes and coaches choose bar settings based on several factors: Skill Level: Beginners may prefer closer settings to focus on basics, while advanced gymnasts use wider settings for complex skills. Physical Attributes: Taller gymnasts might need wider settings to accommodate their swing. Routine Composition: Depending on the routine's focus—whether on strength elements, release moves, or transitions—settings can be adjusted for optimal performance. The uneven bars are a dynamic and evolving event in gymnastics, deeply rooted in history and continually shaped by innovation and the incredible athletes who push the boundaries of what's possible. Understanding the history, settings, equipment, and iconic performers gives a deeper appreciation for the artistry and athleticism displayed in every routine. 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